The awards ceremony takes place November 15 in New York City, and we wish Sánchez and Machado much luck.
It's Latino Heritage Month, and to celebrate this, below is a list of Latinx writers worth noting for their exceptional storytelling and poetry. These dozen books were recently published by small and independent presses.
Acevedo’s page-turning historical novel is based on the life of Princess María Eulalia Francisca de Asís y Margarita de Bourbon, a spirited woman with a sense of adventure that defied the gender norms of the Spanish court in the late 19th century. Determined to find a publisher for her revealing memoir, Eulalia sets out for Cuba and then the U.S. during a period of deep social and political changes that charmed and challenged her sensibilities as a woman in the New World.
“What are the sounds for but to hear what isn’t there,” writes Alcalá in this moving collection of poems in which a speaker navigates the loss of her mother and the birth of her daughter. The legacy of womanhood, the blessings and dangers of the female body, and the shifting cultural identities from one generation to the next, are a few of the threads that stitch together this dazzling journey through one woman’s matrilineal story.
This inventive book of poems inspired by the Aztec codices imagines the pre-Colombian landscape on the Arizona-Mexico border territory, where a new language and intercultural mythologies come alive as AZtexts. Wordplay offers surprise and critique with such surprises as turning “Mictlán” (the valley of the dead) into “McTlán,” a multiethnic southwestern town with bars that invite its patrons to dance the “achy breaky corazón.”
Chacón’s triumphant tale of acceptance and redemption unfolds in the adolescence of Victor Reyes, a Chicano youth who doubts he can break away from what others expect of him: to end up just another menace of the streets, a cholo. The more Victor tries to prove them wrong, the more he confirms their prejudices. Not until he learns to define himself through his intelligence and imagination does he begin to find a way out of the trappings of a self-fulfilling prophecy.
Skillfully blending reportage and memoir, renowned travel writer Elizondo Griest discovers powerful parallels between the borders of Canada and Mexico as she observes the lives of the Mohawk tribe and of her beloved Texas community. These troubled zones negotiate poverty, violence, and falls through the cracks of international politics yet somehow its people can still make of them a home.
It’s the age of surveillance, police militarization and the assault on human rights, therefore López’s striking book of poems reads like communications from the war-torn Americas, the speaker a beleaguered traveler seeking perspective and hard-won peace: “Tonight I want to inject this anger into the moon and watch it implode, because it witnesses the abusive language of baton and cuff and says nothing.”
The 29 short stories in this collection offer a rich and panoramic view of Los Angeles as experienced by the city’s insiders, outsiders and even a few inhabitants of the Netherworld. Olivas, the king of flash fiction, flexes both magical realist and realist muscles in service to each succinct “but in the end significant beyond its size” narrative. The rollercoaster tour through La La Land comes to a screeching halt with the thought-provoking speculative story “The Great Wall.”
The hard knocks of a Chicano’s journey from the mean streets of the Central California Valley to the cruel halls of academia and then back again to reconcile with family history and painful memory fuel this stellar debut book of poems. Ríos’s Josefo is an endearing gentle giant, a misunderstood genius with a startling relationship to the world: “I reach for the dial and discover I can bend the moonlight/ into a glowing, smiling-now or crying-later crescent.”
Reflective and revelatory, this book of poems traces the speaker’s difficult adjustment to a series of life changes: aging, getting divorced, dealing with depression and addiction, falling in love again, this time with another man. Sáenz shapes heartache into brave and stunning verse: “I’m singing. No one can/ kill this song inside of me. Not even me.”
For a young queer Chicana with the will to shape her own destiny, escapes to the big cities like San Francisco and L.A. are invigorating but bittersweet—she must still “learn to outrun the terrible stories we must/ not pass on.” Vértiz pays tribute to the fighters and the lovers inside each of us in this fearless and remarkable collection of poems that sings “about the dark times, about school. About how La Llorona needs a vacation from that riverbed.”
The power and pulse in Villarreal’s debut collection of poems comes from the courage to write “for the great violences hidden inside women/ For the women hidden inside great violences.” Her emotional territory is expansive, reaching far into the mythologies of Mexico and the borderlands, the recesses of family traumas, and the plight of personal demons. Taking linguistic, structural, and expressive risks, this book is necessary “to survive this nightmare so American.”
The son of Nicaraguan immigrants who settled in San Francisco’s Mission District, Zelaya deftly captures the burdens and blessings of a working class community in a gentrifying neighborhood. The art of storytelling is also an act of recovery, and Zelaya’s portraits of struggle, strength, and resilience give voice to people and experiences that have shaped the city’s history and cultural identity.