Physically, Mexican singer-songwriter Natalia Lafourcade is only 4 feet, 11 inches in height, but the soul she emanates with her ethereal music is fathomless. And audiences and critics agree - she won a Grammy last year for her album, “Hasta la Raiz,” in the Best Latin Rock, Urban or Alternative Album category - and this is in addition to the 8 Latin Grammys she has won.
In her newest album, “Musas” (“Muses”), she pays tribute to various musicians who have etched a musical memory in her heart at some point in her life and are beloved to many in Latin America and the U.S., such as, the late Chilean composer/songwriter Violeta Parra and Mexican dancer and actress Rocío Sagaón - well-known for appearing with actor Pedro Infante in the 1951 film, “Las Islas Marias.”
“I had many different teachers,” says Lafourcade. “I started writing songs at 14 about things I was living at school, and the things I felt at that age. In this album, I tried something different. I wanted to write about Veracruz, and my friend, Rocío Sagaón, who was like a grandmother to me and passed away two years ago. She was one of my inspirations.”
It was almost predestined that Lafourcade, 33, was to be a musician. She was born to two respected music educators in Mexico City, and spent a lot of her childhood in neighboring Coatepec, Veracruz amidst music and art. But the exact moment she herself was certain of her future, she remembers precisely.
“I knew that I wanted to be a singer when I was 10 years old,” Lafourcade tells NBC from Mexico City. “There was a party at school, and they invited me to sing for a play. I was really nervous, but when I was on the stage, I knew.”
And her feelings have never steered her wrong since. It is the profound way in which Lafourcade feels the experiences of life, which inspire her songs, that provide the magic touch to her compositions.
Her timeless, sweet and gentle sound is hard to fit in a specific box. She, herself, describes it as, “a mix of many genres. I would say maybe alt/pop, but now I’m trying to explore folk and traditional sounds of my country. Something that would include everyone.”
For the past decade, she says she’s been listening to a wide assortment of sounds, which cross countries, and genres, from Bob Dylan to Edith Piaf and La Lupe.
In her new album, she collaborates with the legendary Mexican guitar duo Los Macorinos.
“The idea to collaborate with Los Macorinos happened when we were having a concert as a tribute to Chavela Vargas four years ago,” said Lafourcade about Miguel Peña and Juan Carlos Allende, famous for accompanying the late legendary singer, Chavela Vargas. “That’s when I heard them on stage. I knew of them because of Chavela, but when I saw them on the stage, I thought it would be a great idea to work on a project with them.”
Last year, while on vacation in Brazil, the memory returned.
“When I got back to Mexico, I reached out to them,” says Lafourcade about how she got Los Macorinos to be her guitar and chorus accompaniment throughout the “Musas” album.
“It has given me so many things. It’s a very magical project. We decided to record the album live, and I never did that before," she says. "I believe that’s why this album has this incredible spirit. Now I don’t want to record any other way.”
This all happened in a moment in her life that she needed music in a different way, “more ‘cotidiano’ (‘simple’ or ‘everyday’),” says Lafourcade. “I say that because working with Los Macorinos wasn’t as easy as I thought it was going to be. I would do everything faster. I had to go very deep, and I had to connect my heart and my soul in a very deep way - pay attention to the meaning of the songs and the energy. It made me more awake. That growth made me change the way I make my music now.”
She now adds Los Macorinos, who are in their 70’s, to her long list of teachers.
“It was very beautiful to share these moments. It was different for them, and for me,” says Lafourcade. “Before, I was working with artists who were my same age. Spending time with Los Macarinos was beautiful - to hear the music they were bringing to the table. There was a moment we had 200 songs we all loved, and we tried to decide which songs to include, so we were hanging out a lot and they told me a lot of stories.”
Her favorite musician to work with, however, she says was Cuban legend Omara Portuondo (from “Buena Vista Social Club”). They sing a duet on the track, “Tu me acostumbraste” (“I Got Used to You”).
“She is so amazing with powerful energy,” says Lafourcade of her 86-year-old mentor. “We get along very well.”
Although she’s going on a U.S. and Mexico tour, starting next month through October, Lafourcade says she will make a second volume of “Musas” later this year.
“I am 15 years into my career, and I want to go back to the piano and take the time to learn more,” she says. “I have many projects in mind like this one. By collaborating, you can do very interesting things. And it’s not just about me...We will see...”
For now, she just seems grateful for her experiences, and in love with life - as well as the person who inspired her original track, “Tú sí sabes quererme” (“You Know How to Love Me”).
“My mother always said I was singing before I was speaking,” laughs Lafourcade. “I came to this world to sing, and I feel very fortunate, because I am able to do that.”
CORRECTION: (May 23, 2017, 10:30 a.m.): An earlier version of the headline on this article misspelled Lafourcade's first name. It is Natalia, not Natalie.