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Norman Jewison, acclaimed director of ‘In the Heat of the Night’ and ‘Moonstruck,’ dies at 97

Jewison was a three-time Oscar nominee who received an Academy Award in 1999 for lifetime achievement.
Norman Jewison in 1988 in Paris.
Norman Jewison in Paris in 1988.GARCIA / Gamma-Rapho via Getty Images file
/ Source: The Associated Press

Norman Jewison, the acclaimed and versatile Canadian-born director whose Hollywood films ranged from Doris Day comedies and “Moonstruck” to social dramas such as the Oscar-winning “In the Heat of the Night,” has died at age 97.

Jewison, a three-time Oscar nominee who in 1999 received an Academy Award for lifetime achievement, died “peacefully” Saturday, according to publicist Jeff Sanderson. Additional details were not immediately available.

Throughout his long career, Jewison combined light entertainment with topical films that appealed to him on a deeply personal level.

Norman Jewison 1980
Norman Jewison in 1980.Dick Loek / Toronto Star via Getty Images file

As Jewison was ending his military service in the Canadian navy during World War II, he hitchhiked through the American South and had a close-up view of Jim Crow segregation. In his autobiography “This Terrible Business Has Been Good to Me,” he noted that racism and injustice became his most common themes.

“Every time a film deals with racism, many Americans feel uncomfortable,” he wrote. “Yet it has to be confronted. We have to deal with prejudice and injustice or we will never understand what is good and evil, right and wrong; we need to feel how ‘the other’ feels.”

He drew upon his experiences for 1967’s “In the Heat of the Night,” starring Rod Steiger as a white racist small-town sheriff and Sidney Poitier as a Black detective from Philadelphia trying to help solve a murder and eventually forming a working relationship with the hostile local lawman.

Actor Rod Steiger, left and director Norman Jewison
Actor Rod Steiger and director Norman Jewison discuss a scene from the film "In the Heat of the Night" in 1968.AP file

James Baldwin condemned the film’s “appalling distance from reality,” and thought the director trapped in a fantasy of racial harmony that would only heighten “Black rage and despair.”

But The New York Times’ Bosley Crowther was among the critics who found the movie powerful and inspiring, and in a year featuring such landmarks as “The Graduate” and “Bonnie and Clyde,” Jewison’s production won the Academy Award for best picture while Steiger took home the best-actor Oscar. (Jewison lost out for best director to Mike Nichols of “The Graduate.”)